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Noises off: Never underestimate the power of a good old food fightThis week bloggers are arguing about tokenism and funding cuts. Cue: PianoFight's Throw Rotten Veggies NightHave you ever been watching a show and had the desire to pelt the actors with rotten tomatoes? Well, as Chloe Veltman of the Lies Like Truth blog has recently discovered, the PianoFight The... |
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Revamped Empty Space awards celebrate mould-breakersForest Fringe, FUEL and the Cock Tavern prove theatre can flourish in these cash-strapped times. Peter Brook would approve"A sign of the changing theatrical times," tweeted Lyn Gardner on the recipients of this year's Empty Space Peter Brook awards, for which she, along with her colleag... |
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How the Berlin Wall changed British theatre | Andrew HaydonThe collapse of communism 20 years ago offered rich pickings for British playwrights. Are the tremors afflicting capitalism about to do the same?In case you somehow haven't noticed, next week is the 20th anniversary of the fall of the Berlin Wall. I'm currently in Prague attending a festival of G... |
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Evening Standard awards: Why don't musicals get the credit they deserve? | Carrie DunnIt's been a fine year for musical theatre – but yet again the Standard's judges have failed to noticeHurrah for the Evening Standard longlist! That bastion of exemplary theatrical criticism has unveiled its nominations for its 2009 gongs, and theatreland rejoiced. Well, sort of. What happen... |
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So what if Angela Lansbury was prompted on Broadway? | Michael SimkinsLansbury's admission that she won a Tony while struggling with her lines isn't a cop-out. It's harder than you thinkThe American theatre columns are awash with the subject of earpieces. The actor Matthew Broderick is using one to help him through the early performances of a long and difficult rol... |
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Could Twitter spell the end for star ratings? | John EllingsworthCrowd-sourcing theatre reviews tells us more about a show's watchability than ever before – leaving the critics free to write what they wantThere aren't many theatremakers who like star ratings, and there aren't many reviewers who like them either. They pull people towards the worst and bes... |
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